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Schellack photos & reviews (military music)

Discussions on the music in the Third Reich.
Hosted by Ivan Ž.

Schellack photos & reviews (military music)

Postby Ivan Ž. on 15 Oct 2007 13:33

A thread about 78 rpm military records from your own collection.

Everyone interested, please post photos of both sides and your impressions.

I'll start with some of mine...

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His Master's Voice EG 2810

Postby Ivan Ž. on 15 Oct 2007 13:33

HMV-EG-2810.jpg


Franz Seldte [Fanfarenmarsch des Stahlhelms, Bund der Frontsoldaten]
Musik: Hermann Blume
Musikkorps des III Bataillons des 9. (Preußischen) Infanterie-Regiments, Berlin-Spandau | Dirigent: Obermusikmeister Adolf Berdien
Berlin, 1933

Stahlhelm Bundesmarsch
Musik: Hermann Blume | Trio: Heinrich August Neithardt
Musikkorps des III Bataillons des 9. (Preußischen) Infanterie-Regiments, Berlin-Spandau | Dirigent: Obermusikmeister Adolf Berdien
Berlin, 1933



This record includes two fine marches, both composed by Hermann Blume for paramilitary organisation Stahlhelm, Bund der Frontsoldaten (Steel Helmet, League of Frontline Soldiers), founded at the end of 1918, partly by Franz Seldte, in the city of Magdeburg. In 1930, it was the largest paramilitary organisation of Weimar Germany (with 500000 members). It was integrated into the SA in 1934 and dissolved in 1935.

First Blume's march from this record is dedicated to Franz Seldte (born: 29.06.1882 in Magdeburg; died: 01.04.1947 in Fürth), a cofounder and leader of Stahlhelm. He was an NS politician and Reichsarbeitsminister. He was wounded in WWI and lost his left arm. Awarded with EK I and EK II, and promoted to captain in the reserve. In 1931, Seldte, together with Alfred Hugenberg (1865-1951) and Adolf Hitler, helped create the Harzburg Front, an alliance against the Heinrich Brüning (1885-1970) government. In April 1933, he joined the NSDAP and integrated the Stahlhelm into the SA. In August 1933, he became an SA-Obergruppenführer and later was a Reichskommissar for the Freiwilligen Arbeitsdienst (a position he held until 1945). He was arrested at the end of the war and died in a US military hospital at Fürth.

Photo: Two Stahlhelm leaders, Franz Seldte and Theodor Duesterberg (1875-1950),
watching the parade on Stahlhelmtag (Berlin, 04.09.1932)
00030755.jpg


In the second march, Stahlhelm Bundesmarsch, Blume was inspired by the "Stahlhelm-Bundeslied", Rückert's song with the melody of the famous "Ich bin ein Preuße" and also by some elements of equally famous "Der Gott, der Eisen wachsen ließ".

Composer Hermann Blume (born: 04.06.1891 in Biegen; died: 10.05.1967 in Großbottwar) was member of NSDAP since 01.04.1936 and SS since 01.07.1937; SS-Hauptsturmführer since 1941.

Conductor Adolf Berdien (born: 09.02.1876 in Restorf, Hannover; died: 21.09.1954 in Lüchow) wasn't a member of NSDAP; Professor since 1937, Obermusikinspizient des Heeres since 01.01.1941; conductor of many army bands: IR 47 (Posen), II/ IR 16 (Hannover), III/ IR 9 (Spandau), IR 67 (Spandau).
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Electrola EG 2653

Postby Ivan Ž. on 15 Oct 2007 13:34

Electrola-EG-2653.jpg


Nibelungenmarsch
Musik: Richard Wagner | Zusammenstellung: Gottfried Sonntag
Militärorchester | Dirigent: Heeres-Musikinspizient Hermann Schmidt
Berlin, 1932

Badenweiler-Marsch * Zur Erinnerung an das Gefecht des königlich-bayrischen Infanterie-Leib-Regiments am 12. VIII 1914
Musik: Georg Fürst
Militärorchester | Dirigent: Heeres-Musikinspizient Hermann Schmidt
Berlin, 1932



Nibelungenmarsch was composed by Gottfried Sonntag (born: 10.02.1846 near Schwarzenbach, Oberpfalz; died: 23.07.1921 in Bayreuth), who got the inspiration for this piece from Richard Wagner's (1813-1883) opera "Der Ring des Nibelungen", while he was serving as bandmaster of the Königlich-Bayerisches 7. Infanterie-Regiment "Prinz Leopold" (stat. in Bayreuth). March was quite popular in III Reich; it can be also heard in Riefenstahl's "Triumph des Willens", played right after the "Badenweiler-Marsch".

Photo: SS-Hauptsturmführer Jakob Grimminger (1892-1969) carrying the Blutfahne in
"Triumph des Willens", while the "Nibelungenmarsch" is being played (Nürnberg, 08.09.1934)
Grimminger1934.jpg


Badenweiler-Marsch was composed by Georg Fürst (born: 23.03.1870 in Feuchtwangen; died: 05.02.1936), as "Badonviller Marsch", for the Königlich-Bayerisches Infanterie-Leib-Regiment, where he served as an Obermusikmeister. Its title refers to fighting on 12.08.1914 near Badonviller (Badenweiler) in French Lorraine, where Germany achieved its first victory against the French in WWI. It was Hitler's favourite march, often played when he made an (official) appearance somewhere. In III Reich period was Parademarsch der Leibstandarte-SS Adolf Hitler (Berlin) and Parademarsch der SA-Standarte 81 (Frankfurt am Main). Oskar Sauer wrote the lyrics to this Fürst's tune, making the "Badenweiler-Marschlied". Since 1925: Armeemarsch II, Nr.256.

Photo: Obermusikmeister Georg Fürst congratulates Adolf Hitler
on his 46. birthday (Berlin, 20.04.1935)
00041085.jpg


Conductor Hermann Schmidt (born: 09.03.1885 in Gera, Thüringen; died: 05.10.1950 in Berlin-Tempelhof), was a famous composer and conductor, the man responsible for creating the Heeresmarschsammlung in 1925; Professor since 15.12.1933; Obermusikinspizient des Heeres since 01.10.1938; not a member of NSDAP.
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Electrola EG 3284

Postby Ivan Ž. on 15 Oct 2007 13:35

Electrola-EG-3284.jpg


Alte Kameraden
Musik: Carl Teike
Kapelle des SA-Feldjägerkorps | Dirigent: Musikzugführer Hans Krüger-Burghardt
Berlin, 1935

Preußens Gloria [Heeresmarsch II, 240]
Musik: Gottfried Piefke
Kapelle des SA-Feldjägerkorps | Dirigent: Musikzugführer Hans Krüger-Burghardt
Berlin, 1935



The SA-Feldjägerkorps was a Prussian SA Field Police, established by Hermann Göring in October 1933. The unit was comprised of former police members and volunteers gathered from SA and SS. It was incorporated on 01.04.1935 into the larger Prussian Schutzpolizei and was no longer under the control of the SA.

Photo: Ex-members of SA-Feldjägerkorps - future members of Schutzpolizei, taking oath (Berlin, 18.01.1936)
00228663.jpg


March Alte Kameraden was composed ca.1889 in Ulm by Carl Albert Hermann Teike (born: 05.02.1864 in Altdamm, Stettin; died: 28.05.1922 in Landsberg, a.d.Warthe). Still one of the most popular marches of the world. It was also sung as a song ("Alte Kameraden auf dem Marsch", or "Alte Kameraden auf dem Kriegespfad"). Since 1939: Heeresmarsch II, Nr.150.

Photo: Carl Teike, 1895
Teike.jpg


March Preußens Gloria was composed in 1871 after Prussia's victory in the Franco-Prussian war by Johann Gottfried Piefke (born: 09.09.1815 in Schwerin, a.d.Warthe; died: 25.01.1884 in Frankfurt, Oder). March was performed for the first time in public in Frankfurt (Oder) by Piefke's garrison, for the victory-parade of the returned troops. In 1909, almost forgotten march was reworked by Armeemusikinspizient Prof. Theodor Grawert (1858-1927) and was shortly afterwards included in the collection of Prussian army marches. It is still very popular today and often played by Bundeswehr, mostly during official ceremonies. In III Reich period was Parademarsch des SS-Artillerie-Regiments. Since 1911: Armeemarsch II, Nr.240.

Photo: Gottfried Piefke
00140615.jpg


Conductor Hans Krüger-Burghardt held the rank of an SS-Sturmführer; member of both SS and SA; also conducted bands of SS-Standarte 44 Eberswalde and SA-Brigade 137 Magdeburg.
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Telefunken A 1577

Postby Ivan Ž. on 15 Oct 2007 13:41

Telefunken-A-1577.jpg


Björneborgarnas (Schwedischer Kriegsmarsch)
Musik: Trad.
Musikkorps der II Marine-Artillerie-Abteilung, Wilhelmshaven | Dirigent: Obermusikmeister Wilhelm Welge
Berlin, 1934

Blau ist das Meer [Marsch aus dem Tonfilm „Volldampf voraus!“]
Musik: Harald Böhmelt
Musikkorps der II Marine-Artillerie-Abteilung, Wilhelmshaven | Dirigent: Obermusikmeister Wilhelm Welge
Berlin, 1934



Björneborgarnas ("Björneborg" is Swedish name for Finnish city of Pori) is an old march from Swedish-Russian (18. century) war. Since 1912: Armeemarsch II, Nr.241/ III, Nr.131 On this record, Obermusikmeister Welge and his men gave (in my opinion) the best performance of this march.

Blau ist das Meer was composed in 1933 by Harald August Adolf Otto Böhmelt (born: 23.10.1900 in Halle; died: 15.10.1982 in Bad Tölz) for the 1934 movie "Volldampf voraus!" (Böhmelt was member of NSDAP since 01.05.1932). Lyrics were written (also in 1933) by Robert Adolf Ferdinand Stemmle (born: 10.06.1903 in Magdeburg; died: 24.02.1974 in Baden-Baden). Here is offered an instrumental variant of the song.

Photo: Harald Böhmelt, 1933
00371985.jpg
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Telefunken M 6143

Postby Ivan Ž. on 15 Oct 2007 13:42

Telefunken-M-6143.jpg


Wir marschieren! [Großes Marsch-Potpourri]
Zusammenstellung: Carl Woitschach
Carl Woitschach mit seinem großen Blasorchester
Berlin, 1934

Inhalt:
- Florentiner Marsch | Musik: Julius Fucik
- D’ Banda kommt | Musik: Theodor Franz Schild
- Schneidige Truppe | Musik: Julius Lehnhardt
- Kärntner Liedermarsch | Musik: Trad., Anton Seifert
- Soldatenleben | Musik: Martin Schmeling
- Mit Bomben und Granaten | Musik: Benjamin Bilse
- Frei weg | Musik: Carl Latann
- Radetzky-Marsch | Musik: Johann Strauß I
- Bayrischer Defiliermarsch | Musik: Adolf Scherzer
- The British Grenadiers | Musik: Trad.
- Brucker Lager-Marsch | Musik: Johann Nepomuk Kral
- San Lorenzo | Musik: Cayetano Alberto Silva
- Dixie | Musik: Trad.
- Petersburger Marsch | Musik: Erik Eriksson
- Lockmarsch | Musik: Trad.
- Unsere Garde | Musik: Rudolf Förster



Very interesting medley, arranged by conductor Woitschach himself. It contains mostly famous marches like "Florentiner Marsch", or "Radetzky-Marsch", but also "The British Grenadiers" and "Dixie". It shows us once again Woitschach's passion for music of all nations, and not only of Germany, or Austria...

Conductor Carl Woitschach (born: 29.02.1864 in Posen; died: 24.05.1939 in Berlin) is the man who recorded probably the largest number of tunes from all over the world (including my country); not a member of NSDAP, but has, however, recorded some of the most popular NS tunes...
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Electrola EG 3459

Postby Ivan Ž. on 15 Oct 2007 13:48

Electrola-EG-3459.jpg


Annemariechen - Annemarei
Musik und Text: Herms Niel
Sinfonisches Blasorchester Bruno Seidler-Winkler | Gesang: Männerchor
Berlin, 1935

Leonore
Musik: Herms Niel | Text: Herms Niel und Karl Wilke
Sinfonisches Blasorchester Bruno Seidler-Winkler | Gesang: Männerchor
Berlin, 1935



Two early Herms Niel's (1888-1954) works, both composed in 1935. Leonore is a fine, cheerful song, one of my many favorites; I would recommend everyone to find Hartung's version (Seidler-Winkler's isn't so jolly, only Hartung can make that "crazy" atmosphere :wink: ); it can be also heard in Niel's medley called "Ruck-Zuck-Annemarie", recorded in 1937 by Herms Niel's band of RAD and Carl Woitschach's orchestra. Annemariechen - Annemarei also had an undertitle - "Ei, ei, ei, du bist treu".

Conductor Bruno Seidler-Winkler (born: 18.07.1880 in Berlin; died:19.10.1960 in Berlin) was a composer and conductor working in Berlin; not a member of NSDAP. Recorded numerous recordings, both military and civillian, since the beginning of the XX century - until & during the war years... Obviously a fan of Herms Niel's work, recorded many of his songs in '30s and '40s.

Photo: Bruno Seidler-Winkler with Claire Dux and Hans Albers (Wiesbaden, 1921)
00203812.jpg
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Kristall 2137

Postby Ivan Ž. on 15 Oct 2007 13:49

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Es ist so schön, Soldat zu sein [Marschlied]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerquartett
Berlin, 1938

Tschingta, tschingta, Bummtara [Marschlied]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerquartett
Berlin, 1938



Es ist so schön, Soldat zu sein is one of many Niel's soldier/girlfriend songs. Her name is Rosemarie and her soldier-boyfriend assures her that they, soldiers, are fine fellows, faithful to only one girl - in his case - to Rosemarie. And after "only" 2 years of soldiering, he returns and marries her... Song was very popular at the time and recorded by numerous bands (recorded a couple of times after WWII as well). It has 3 strophes and RAD band recorded all 3 of them.

Tschingta, Tschingta, Bummtara is kind of a sister-song to the old and famous "Wenn die Soldaten". Rooster, with his Kikriki!, is their wake-up call and they, with their Tschingta, Tschingta, Bummtara!, are a wake-up call for girls. Like in old song, soldiers are passing the girls' houses, marching to music, and they (girls) are opening their windows to see them... It has 3 strophes, RAD band recorded the first 2 here.

Both songs written & composed by Herms Niel in 1937.
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Grammophon C 2811

Postby Ivan Ž. on 15 Oct 2007 13:49

Grammophon-C-2811.jpg


Hannelore [Marsch]
Musik und Text: Herms Niel
Otto Kermbach Orchester | Gesang: Heyn-Quartett
Berlin, 1938

Froh und heiter [Marsch]
Musik: Carl Michalski
Otto Kermbach Orchester
Berlin, 1938



Hannelore is a well-known Niel's 1938 song, perfectly performed by Kermbach's orchestra here: with a long instrumental intro (1:20) where we can hear at first the complete orchestra playing, then a trumpet solo, violin solo, accordion solo, then everything repeats only backwards, until the orchestra is complete again. Of course, the style is original Niel's, in a live and jolly rhythm. As I wrote - simply perfect, probably the best performance of this song. Heyn-Quartett sung only one strophe here, the 1st one (out of 3).

Although credited as Marsch here, Froh und heiter is actually a Marschfox and, unlike "Hannelore", this is one of the worst compositions I've ever heard. It was composed by Carl Michalski (born: 18.01.1911 in Bochum; died: 11.12.1998 in Bad Wiessee). Beside working as a composer, Michalski also worked as a conductor of a Tanzkapelle in Munich, then worked at Reichssender München and, since 1938, was a conductor of Bavarian Staatsoperette (at Gärtnerplatz). He joined NSDAP during war years (1941) and served in Wehrmacht since 1944 (captured by Soviets). After the war he continued working as a conductor in Cologne and Munich.

Conductor Otto Kermbach (born: 29.03.1882 in Berlin; died: 17.06.1960 in Berlin-Wilmersdorf) was a composer and conductor working in Berlin; member of NSDAP since 01.10.1940.

Photo: Otto Kermbach, 1936
01064763.jpg
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Telefunken A 2630

Postby Ivan Ž. on 15 Oct 2007 13:50

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Erzherzog Albrecht-Marsch
Musik: Karl Komzák II
Musik- und Trommlerkorps des Wachregiments Berlin | Dirigent: Stabsmusikmeister Friedrich Ahlers
Berlin, 1938

Germania-Marsch * mit dem Yorck'scher Marsch und Lockmarsch
Musik: Gustav Keil
Musik- und Trommlerkorps des Wachregiments Berlin | Dirigent: Stabsmusikmeister Friedrich Ahlers
Berlin, 1938



Two excellent marches performed by the band of Wachregiment Berlin (future Infanterie-Regiment "Großdeutschland") and conducted by Friedrich Ahlers (1882-1945).

Erzherzog Albrecht-Marsch (my personal favorite march) was named after Archduke Albrecht Friedrich Rudolf, Austrian general (born: 03.08.1817 in Wien; died: 18.02.1895 in Arco), the oldest son of famous field marshal Archduke Carl, the victor at the battle of Aspern-Essling. Archduke Albrecht was a very talented officer; promoted to Generalmajor already at the age of 23, saw service at the headquarters of the famous field marshal Joseph Radetzky, divisional commander in general d'Aspre's II corps in Italy, military commander in Prague, commanding general of the III army, military and civil governor of the Kingdom of Hungary, commanding general of the VIII corps in Italy, field marshal since 04.04.1863, commander of South Army (against Italy), army commander in chief (1868) and the general inspector of the Imperial and Royal Army (1869); decorated with numerous awards (his wife, Hildegard, was the 3rd daughter of Bavarian King Ludwig I).

Photo: Erzherzog Albrecht Friedrich Rudolf von Österreich
Erzherzog Albrecht.jpg


March was composed in 1887 (Opus 136) by Karel (Karl) Komzák (born: 08.11.1850 in Praha; died: 23.04.1905 in Baden) for Infanterie-Regiment Nr.13, Krakau and was Parademarsch des Königlich-Sächsischen Pionier-Bataillons Nr.12, Dresden and Parademarsch des Königlich-Sächsischen Infanterie-Regiments Nr.179, Wurzen; in III Reich period was Parademarsch der SA-Standarte 231, Hannover. Since 1925: Armeemarsch II, Nr.263. Komzák II (his father, and son as well, carried the same name) studied violin, musical theory and conducting at the Prague Conservatory (1861-1867); played violin and baritone in (his father’s) 11th Regiment band at Linz (1869), at the same time conducted the Linz theatre orchestra, bandmaster of the 7th Infantry Regiment (1871), choirmaster of the Innsbruck Liedertafel Choir; in Vienna since 1882, as bandmaster of the 84th Infantry Regiment, when he quickly became favourite of the Viennese public and considered one of the leading military composers; left regiment in 1892 (on health grounds) and moved to the spa town of Baden, where he conducted the spa orchestra; at the same time his regiment was moved to a new garrison at Mostar (Herzegowina) where Komzák, who remained the bandmaster until his retirement in 1896,
was spending the winter months with the regiment and in spring, he was returning to Baden to direct the season’s spa concerts. Komzák died tragically; while trying to jump on to a departing train at Baden station, he slipped and fell under the wheels... He was buried at Baden, but his remains were exhumed and transferred to the Central Cemetery of Vienna.

Photo: Karl Komzák II
Karl Komzak.jpg


Note: there is another march dedicated to Archduke Albrecht, an "Erzherzog Albrecht-Defiliermarsch", composed by Hermann J. Schneider (1859-1921) and recorded in 1907 by Edison-Orchester, Berlin. Unlike Komzák's, Schneider's march is almost completely forgotten today...

Germania-Marsch was composed by Gustav Keil (1861-1903). This version begins with the melody of Beethoven's "Yorck'scher Marsch" and the Lockmarsch. In III Reich period was Standartenmarsch der SS-Standarte "Germania" (der SS-Verfügungstruppe) stat. in Hamburg-Veddel.
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Gloria GO-27787

Postby Ivan Ž. on 15 Oct 2007 13:51

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Erika! (Auf der Heide blüht ein kleines Blümelein) [Soldatenlied]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Die Metropol-Vokalisten
Berlin, 1939

Jawoll, das stimmt, jawoll! [Soldatenlied]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Die Metropol-Vokalisten
Berlin, 1939



Erika is the 2nd most popular song of WWII (although written before war, in January 1939), recorded almost as many times as "Lili Marleen" (then- and after the war as well); translated (& recorded) in several languages. It is The most popular Herms Niel's song with the best lyrics he has ever written. It begins with a synonym-flower, called Erika, which is of course his beloved girl, surrounded by 100000 bees, which are of course other men attracted to her. Then he mentions that he has a girlfriend back home with the same name... At the end of song he sees another flower, in front of his chambers - also an Erika! It looks at him every day and reminds that there's a girl back home, who misses him, waiting for his return... Song has originally 3 strophes, RAD band here recorded 1st and 3rd.

Jawoll, das stimmt, jawoll also comes from January 1939. Song is about - guess - soldiers, having girlfriends in every part of Germany ...and all parents advise their daughters - if you are bringing home a boyfriend - he must be a soldier! It has 3 strophes, RAD band recorded the first 2 here.
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Tempo 685

Postby Ivan Ž. on 15 Oct 2007 13:53

Tempo-685.jpg


Erika! (Auf der Heide blüht ein kleines Blümelein) [Soldatenlied]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerchor
Berlin, 1939

Jawoll, das stimmt, jawoll! [Soldatenlied]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerchor
Berlin, 1939



Same songs as previous, only different versions. Like most of RAD's Tempo recordings - not so good. RAD band recorded all 3 strophes in both songs.
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Grammophon C 2914

Postby Ivan Ž. on 15 Oct 2007 13:53

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Erika (Auf der Heide blüht ein kleines Blümelein) [Marsch- und Soldatenlied]
Musik und Text: Herms Niel
Blasorchester Herms Niel | Gesang: Heyn-Quartett
Berlin, 1939

Du Schönste vom Städtel, schwarzbraunes Mädel
Musik und Text: Herms Niel
Blasorchester Herms Niel | Gesang: Heyn-Quartett
Berlin, 1939



In this, 3rd Niel's recording of Erika, Heyn-Quartett sung all 3 strophes. Du Schönste vom Städtel, schwarzbraunes Mädel is a 1938 song, about the most beautiful girl in the town... It has 3 strophes, Heyn-Quartett sung only refrain here.

Heyn-Quartett were members of Deutsches Opernhaus in Berlin, lead by Erich Heyn (bass), with Hans Göbel (tenor I), Robert Jonas (tenor II) and Walter Bartoschek (bariton).

Photo: Heyn-Quartett (Göbel, Jonas, Bartoschek, Heyn)
Heyn-Quartett.jpg
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Grammophon C 2997

Postby Ivan Ž. on 15 Oct 2007 13:58

Grammophon-C-2997.jpg


Die Landpartie (Wenn die Sonne scheint, Annemarie) [Marsch]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerchor
Berlin, 1939

Das ist nun einmal so
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerchor
Berlin, 1939



Die Landpartie is a nice song about the two young ones in love and their "trip to the country" ("Landpartie"). Very popular, recorded by some of the most famous bands in Germany at the time, but also in postwar years as well. It originally has 3 strophes, but chorus sung only 2 of them here (1st & 2nd).

Das ist nun einmal so is a fine, a bit funny, soldiers' song, which describes in 6 strophes a typical soldier's life: being in love with some girl, the drill, field-training, the humiliation for his mistakes and finally - after 24 months - returning home... Chorus sung 2 of 6 strophes in this version (1st & 2nd).
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Grammophon C 4011

Postby Ivan Ž. on 15 Oct 2007 14:00

Grammophon-C-4011.jpg


Liebling, wenn ich traurig bin [Marsch]
Musik: Herms Niel | Text: Erich Effler
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerchor
Berlin, 1939

Edelweiß (Es war ein Edelweiß, ein kleines Edelweiß) [Marsch]
Musik und Text: Herms Niel
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Männerchor
Berlin, 1939



Two big hits in III Reich period.

Liebling, wenn ich traurig bin is a song about a soldier who is missing and thinking about his girlfriend, who always puts a smile on his face, no matter how "down" he is. It originally has 3 strophes; RAD band recorded the first 2.

I think no comment is needed for Edelweiß. Translated in several languages, almost equally popular today as it was back then. Very nice love-song about the flower, "guilty" of bringing two people together - after a man picked it and gave it to his girl... Out of 3, RAD band recorded the first 2 strophes. Song from 1939.
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Ivan Ž.
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