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Schellack photos & reviews (military music)

Discussions on the music in the Third Reich.
Hosted by Ivan Ž.

Tempo 5069

Postby Ivan Ž. on 16 Nov 2007 15:47

Tempo-5069.jpg


Boccaccio-Marsch [aus der gleichnamigen Operette]
Musik: Franz von Suppé
Musikkorps des Regiments „General Göring“ | Dirigent: Musikmeister Hans Frieß
Berlin, 1941

Flieger-Marsch
Musik: Ernst Urbach
Musikkorps des Regiments „General Göring“ | Dirigent: Musikmeister Hans Frieß
Berlin, 1941



Boccaccio-Marsch comes from "Boccaccio, oder Der Prinz von Palermo" (Act III), a comic operetta in three acts composed by Franz von Suppé and written by Camillo Walzel (1829-1895, pseud. Friedrich Zell) and Richard Genée (1823-1895); performed for the first time in Carltheater, Vienna, 01.02.1879.

Photo: Giovanni Boccaccio (1313-1375), Italian novelist and poet
Boccaccio.jpg


Franz von Suppé (born: 18.04.1819 in Split, Dalmatia, at the time part of Austria, today Croatia; died: 21.05.1895 in Vienna), was born as Francesco Ezechiele Ermenegildo, Cavaliere Suppé-Demelli, which he, after arriving in Vienna, simplified and Germanized to Franz von Suppé ("Cavaliere", a signifier of knighthood, became "von"); famous composer (also conductor and singer), author of numerous works, often performed today as well all over the world.

Photo: Franz von Suppé
Suppe.jpg


Flieger-Marsch, or "Piloten-Marsch", was composed in 1912. by Ernst Urbach (born: 19.03.1872 in Burg; died: 08.06.1927 in St. Blasien), son of a pianist, who devoted his life to music; he played flute in Berlin's orchestras and also worked as composer and arranger (he sometimes used the pseudonym Ernst Rubach). One of his most famous works is surely march "Per aspera ad astra" ("Auf rauhen Pfaden zu den Sternen", op. 4). Urbach's "Flieger-Marsch" unfortunately never reached the popularity of famous Hermann Dostal's (1874-1930) march; it was recorded (after WWII) also by Luftwaffenmusikkorps 3, Münster (conducted by Major Lutz Bammler), together with marches of the Luftwaffe.

Hans Frieß (born: 11.06.1910 in Mainz-Bischofsheim; died: 1985) was conductor and composer; in III Reich period conducted the Musikkorps of "Hermann Göring“ division (from regiment to division); after the war he continued conducting, leading the Musikkorps der 11. Panzer-Grenadier-Division - and making some of the best post-war military recordings... Around 1938, composer Rudolf Hindemith (1900-1974) dedicated a march to Musikmeister Frieß, called "Regimentsmusik". Band of "General Göring" regiment was previously conducted by Stabsmusikmeister Paul Haase (1889-1946).

Photo: Musikkorps des Regiments "General Göring"
Musikkorps des Regiments GG.jpg
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Odeon O-26381

Postby Ivan Ž. on 20 Nov 2007 16:00

Odeon-O-26381.jpg


Wenn ich Urlaub hab’! [Marschlied]
Musik: Gerhard Winkler | Text: Ralph Maria Siegel
Musikkorps der Fliegerhorst-Kommandantur Berlin-Staaken | Dirigent: Stabsmusikmeister Hasso Boß | Gesang: Die Metropol-Vokalisten
Berlin, 1939

Wenn die Sonne scheint, Annemarie (Die Landpartie) [Marschlied]
Musik und Text: Herms Niel
Musikkorps der Fliegerhorst-Kommandantur Berlin-Staaken | Dirigent: Stabsmusikmeister Hasso Boß | Gesang: Die Metropol-Vokalisten
Berlin, 1939



Wenn ich Urlaub hab’! is a 1939 song, a huge hit, recorded by both military and civilian musicians; it is one of the earliest war songs, about a soldier leaving his girlfriend, to fight for his beloved Fatherland ...but also waiting impatiently for the first vacation and reunion with his girl... Song has 3 strophes, Hasso Boß and his men recorded the first 2.

Gerhard Winkler (born: 12.09.1906 in Rixdorf; died: 25.09.1977 in Kempten) was composer of (mostly) light music, but he also left behind a couple of military pieces, like this song, or march "Unser Kommandeur", composed for Hermann Kuhrt, commander of Fliegerhorst Königsberg/ Neumark. His music career began in his childhood; already at the age of 7 he composed his first song: "An meinen Buchfink"; with Luftwaffe since 01.09.1940, where he also continued his musical work (since 1942 with Luftwaffen-Filmstelle); after WWII, worked as an operetta composer; not a member of NSDAP. For more info on Gerhard Winkler, visit his son's (Hans Andreas Winkler) excellent website: http://www.capri-fischer.de

Photo: Gerhard Winkler, 1940
Gerhard Winkler.jpg


Ralph Maria Siegel (born: 08.06.1911 in München; died: 02.08.1972 in München) was a famous III Reich lyricist (continued working after war as well). Together with Winkler, author of a huge hit, the "Capri-Fischer" song, written in 1943, but world-famous after WWII...

Photo: Ralph Maria Siegel, 1933
00044958.jpg


In previously mentioned Die Landpartie, Boß' band recorded the first 2 strophes (out of 3). It is 2 months "older" than "Wenn ich Urlaub hab’!" and released originally on Odeon O-26361.

Hasso Boß (born: 17.02.1883 in Tilsit, Ostpreußen, today Sovetsk, Russia; died: 1947) was a conductor and composer; in 1913 conducted the band of 3. (Preußisches) Infanterie-Regiment, Marienburg (as Musikmeister), retired since 1918; joined NSDAP on 01.11.1931; conducted a Konzertorchester in Harburg-Wilhelmsburg in 1932, Musikzugführer in band of SA-Standarte 15, Hamburg-Wandsbek in 1933; back in service in 1935 and conducted the band of Ausbildungs-Bataillon/ Infanterie-Regiment 3, Marienburg, then the band of Fliegerhorst-Kommandantur Berlin-Staaken; Stabsmusikmeister since 01.08.1936; in 1943 with Flak-Ersatz-Abteilung 12, Berlin-Lankwitz.

Die Metropol-Vokalisten were formed as 5 Parodisters in early '30s, in Berlin, by Kurt Bangert (born: 07.06.1894 in Bitterfeld; died: 15.08.1948 in Berlin); members: Wilfried Sommer (tenor I), Günter Leider (tenor II), Peter Purand (bariton), Richard Westermeyer (bass) and Kurt Bangert (piano). Group continued working even after its leader's death in 1948; finally disbanded in '50s (2nd half).

Photo: Die Metropol-Vokalisten
Metropol-Vokalisten.jpg
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Re: Die Metropol-Vokalisten

Postby behemoth on 22 Nov 2007 05:59

Thanks for this info Ivan. I had all but the photo which is excellent - but you beat me to the forum with the info ;). I have too little play and too much work :( . Bangert was likely at least also a member of "Die singenden Kameraden" whom I would be willing to bet, are also synonymous. It is interesting to note that the info I have which appears to be the same as yours doesn't mention the "Kameraden" who sang for Odeon - which at that time also shared a common catalog with Gloria.

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Re: Die Metropol-Vokalisten

Postby Ivan Ž. on 22 Nov 2007 12:09

behemoth wrote:Bangert was likely at least also a member of "Die singenden Kameraden" whom I would be willing to bet, are also synonymous.

I agree (100%).

Another photo of Die Metropol-Vokalisten:
00118148.jpg
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Re: Die Metropol-Vokalisten

Postby behemoth on 23 Nov 2007 04:30

Hey Ivan,

Is that a photo from a Film perhaps? I could swear I have seen this performance somewhere.....but it isn't coming to me.

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Re: Die Metropol-Vokalisten

Postby Ivan Ž. on 23 Nov 2007 13:55

Original caption: Metropol-Vocalisten, Gesangsgruppe. Auftritt beim 'Ball der Nationen' (nach Fred Raymond) im Metropol-Theater, Berlin. Uraufführung: 27.09.1935. Regie: Heinz Hentschke.

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Telefunken A 10062

Postby Ivan Ž. on 23 Nov 2007 16:52

Telefunken-A-10062.jpg


Ade, Polenland [Marschlied]
Musik und Text: Trad. | Bearbeitung: Karel Vacek
Adalbert Lutter mit seinem Orchester | Gesang: Soldatenchor
Berlin, 1939

Ach, es liebten sich zwei in der Rosenzeit [Marschfoxtrot aus dem Tonfilm „Zwei Welten“]
Musik: Michael Jary | Text: Bruno Balz
Adalbert Lutter mit seinem Orchester | Gesang: Soldatenchor
Berlin, 1939



Now, here's a perfect record, one of the very best from III Reich period. With their, at the same time stiff and jolly, performance, Lutter and Soldatenchor are keeping listener's attention throughout every second of both songs...

Ade, Polenland is an old song, recorded soon after the Poland Campaign ended and a large part of German troops was leaving this country to fight somewhere else. It is a real "happy song", describing the soldiering as kind of a Welttourismus, with lots of red wine & beer drinking and, of course, a bit of fighting... Müssen wir auch morgen kämpfen, heute lacht der helle Tag!

Ach, es liebten sich zwei in der Rosenzeit comes from the 1939 movie "Zwei Welten"; although with jolly melody, it is in fact a sad song, about a couple once in love and now separated...

Michael Jary (born: 24.09.1906 in Laurahütte/ Siemianowitz near Kattowitz; died: 12.07.1988 in München) was composer and conductor, born as Maximilian Michael Andreas Jarczyk. Although his parents wanted him to become a priest, he decided to devote himself to music instead. Jary is author of many movie hits, among others the famous "Das kann doch einen Seemann nicht erschüttern", which he created together with his friend Bruno Balz. Not a member of NSDAP; in III Reich period worked as a film composer and arranger; continued working after the war as well and founded a music publishing house in Hamburg in early '50s.

Photo: Michael Jary, 1942
00015136.jpg


Bruno Balz (born: 06.10.1902 in Berlin; died: 14.03.1988 in Bad Wiessee) was in III Reich period a non-famous songwriter of famous hits. The only reason of him being non-famous during the NS regime was his homosexuality; based on this fact, he was arrested several times: in 1936, when he spent several months in prison and was finally released under an agreement that his name was no longer to appear in public; also, he had to enter a "marriage blanc", with a woman, of course (her name was Selma); arrested again in 1941 by Gestapo, when he was tortured in Gestapo headquarters (in Prinz-Albert-Straße); by the intervention of Michael Jary, he was saved from imprisonment in a concentration camp. Balz's luck wasn't changed after the war either, since the law against homosexuality continued in force...

Photo: Bruno Balz
Bruno Balz.jpg


Adalbert Lutter (born: 22.10.1896 in Osnabrück; died: 28.07.1970 in Berlin) was an excellent conductor who recorded numerous songs, military and civilian, with his Tanzorchester. He had an unique style which resembles today's dance music. Lutter formed his first small orchestra in Hannover, following a stay in South America (1922-1928); since 1932, his band played in Berlin; after WWII, conducted an orchestra for the East Berlin Radio. He was retired in 1961. Always has been one of my favorite conductors...

Photo: Adalbert Lutter (left) with Heinz Goedecke (1902-1959) in front of Hitler's portrait
(1940, a couple of months after these recordings were made)
00853706.jpg
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Telefunken A 2502

Postby Ivan Ž. on 24 Nov 2007 16:20

Telefunken-A-2502.jpg


Regimentsgruß [Marsch] * mit Lockmarsch
Musik: Heinrich Steinbeck
Musik- und Trommlerkorps des Wachregiments Berlin | Dirigent: Stabsmusikmeister Friedrich Ahlers
Berlin, 1938

Jagdgeschwader „Richthofen“ [Marsch]
Musik: Hans Felix Husadel
Musik- und Trommlerkorps des Wachregiments Berlin | Dirigent: Stabsmusikmeister Friedrich Ahlers
Berlin, 1938



Regimentsgruß was composed by Heinrich Steinbeck (Opus 22) in 1920s, in Meersburg. An excellent march, quite simple and always popular throughout history until today. It was listed in Heeresmärsche in 1934 as Heeresmarsch II, Nr.4. In III Reich period was used as Parademarsch by SA-Gruppe Thüringen, SA-Standarte "Feldherrnhalle", II Bataillon/ SS-Totenkopf-Standarte 4 "Ostmark", Wachbataillon der Luftwaffe, Panzer-Regiment 3 (Bamberg), Panzertruppenschule 5 (Wünsdorf)... Friedrich Ahlers recorded it twice (this is his 2nd recording).

Heinrich Steinbeck (born: 02.05.1884 in Gödesdorf, near Hannover; died: 20.07.1967 in Arbon/ Kanton Thurgau) was a German-Swiss composer and conductor. His interest in music began already at the age of seven, when he took piano and violin lessons; at the age of 16 went to Militärmusikschule Dömitz-Schwerin, then studied at Bayrischen Staatskonservatorium in Würzburg, to become a Kapellmeister, composer and pianist; after his studies, worked as a pianist in Scandinavia (Norway, Sweden and Finland); in 1909 Kapellmeister at Operettentheater in Karlsruhe and leader of a well known Blasorchester. In 1912 moved to Arbon in Switzerland, where he was appointed the new leader of the Stadtmusik Arbon. After he led Orchesterverein and Arbeitermännerchor Arbon, etc. In recognition of his work, the city of Arbon gave Steinbeck the title of a honorary citizen. Not a member of NSDAP.

Jagdgeschwader Richthofen was composed in 1935 for the first Jagdgeschwader of the Luftwaffe, formed in Döberitz and named after famous "Red Baron", Manfred von Richthofen (1892-1918).

Hans Felix Husadel (born: 18.05.1897 in Prenzlau, Uckermark; died: 25.07.1964 in Aulendorf) was a composer, professor and conductor. As a child, he took his first piano lessons, but was interested in painting as well. After WWI, he studied at the Staatlichen Hochschule für Musik in Berlin; with Reichswehr since 1923, after 1928 conducted the Musikkorps des Ausbildungs-Bataillons/ Infanterie-Regiment Nr.14, Donaueschingen; on 01.04.1935 tasked by Luftwaffenministerium to reorganize music in the Luftwaffe and given the rank of an Obermusikmeister; since 14.06.1937 professor for theory and composition at Musikhochschule in Berlin; Musikinspizient der Luftwaffe in Berlin (1935-1940), then Obermusikinspizient; in III Reich period conducted I Musikkorps der Luftwaffe and Hochschul-Orchester der Luftwaffe. In the postwar years, Husadel worked as a theater conductor in Berlin and Stendal; he formed a Sinfonisches Blasorchester in Berlin and performed famous Zoo-concerts. Famous composer died as Musikdirektor of a Städtischen Orchester (Weingarten) in Aulendorf (while conducting). Husadel created over 300 compositions and arrangements. Wasn't a member of NSDAP. Some of his marches for (III Reich's) Luftwaffe were recorded again after the war by Luftwaffenmusikkorps 2, Karlsruhe.

Photo: Prof. Hans Felix Husadel, 18.05.1957
Husadel.jpg
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Electrola EG 2843

Postby Ivan Ž. on 26 Nov 2007 16:39

Electrola-EG-2843.jpg


Lisa [Studentenweise]
Musik und Text: Trad. | Bearbeitung: Adalbert Muhs
Musikkorps des II Bataillons des 17. (Preußisch-Braunschweigischen) Infanterie-Regiments, Göttingen | Dirigent: Obermusikmeister Adalbert Muhs | Gesang: Chor der 7. Kompagnie
Berlin, 1933

Lore, Lore
Musik und Text: Trad. | Bearbeitung: Adalbert Muhs
Musikkorps des II Bataillons des 17. (Preußisch-Braunschweigischen) Infanterie-Regiments, Göttingen | Dirigent: Obermusikmeister Adalbert Muhs | Gesang: Chor der 7. Kompagnie
Berlin, 1933



Another "Lisa & Lore" record, well performed by Muhs' band (this is one of my favorite versions of "Lore"). For more info on these songs and conductor (/arranger), see previous page...
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Telefunken A 2259

Postby Ivan Ž. on 27 Nov 2007 16:29

Telefunken-A-2259.jpg


Der Tod in Flandern
Musik und Text: Trad. | Bearbeitung: Elsa Laura von Wolzogen
Carl Woitschach mit seinem großen Blasorchester | Gesang: Singschar der Kradschützen-Kompanie der Aufklärungs-Abteilung 3, Stahnsdorf
Berlin, 1937

Argonner-Marsch
Musik und Text: Trad. | Bearbeitung: Hermann Männecke
Carl Woitschach mit seinem großen Blasorchester | Gesang: Singschar der Kradschützen-Kompanie der Aufklärungs-Abteilung 3, Stahnsdorf
Berlin, 1937



Two excellent songs from WWI, performed by "Blasorchester Kurmark" (Telefunken company's pseudonym for Carl Woitschach's band).

Der Tod in Flandern (a.k.a. "Flandrischer Totentanz") was written in 1916/ 1917, in Flanders, and as basis for its melody was used an old Rheinischen Nonnen-Tanzlied (ca.1450). It is a Landsknechtslied, originally sung by Feldsoldaten of Wandervogel organisation (Feldwandervogel) from Niederrhein region. A real death's song, very powerful. In Flandern reitet der Tod! Chorus sung 4 strophes - perfectly, as usual.

Elsa Laura Freifrau von Wolzogen, born Seemann (born: 05.08.1876 in Dresden; died: 25.04.1945 in Admont, Steiermark) was a singer and teacher of singing working in Berlin (since 1941 in Graz). Not a member of NSDAP.

Argonner-Marsch, better known as "Argonnerwald um Mitternacht" (short "Argonnerwald", "Argonnerlied") is a Pionierlied from 1914/ 1915, credited to Hermann Albert von Gordon (1878-1939), but actual author should be Franz Buschhaus (1892-1925) who served with I/ 3. Lothringisches Infanterie-Regiment Nr. 135. Song was also credited to members of 2nd company of Pionier-Bataillon 30 (1914). Very popular tune, also used for one of the greatest NS hits, famous "SA marschiert" (in 1941 rearranged and recorded by Hanns Steinkopf as "Im Osten nun marschieren wir"). Chorus sung 3 strophes here.

Hermann Männecke (born: 24.06.1879 in Hannover; died: 13.12.1954 in Berlin-Wilmersdorf) was a conductor, arranger, composer, music teacher and violinist. Among others, also conducted the Berliner Philharmonisches Blasorchester. Member of NSDAP since April 1933; in February 1936 banned from party and fired from his work, when authorities discovered his wife was Jewish.
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Electrola EG 6820

Postby Ivan Ž. on 04 Dec 2007 12:56

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Erika [Marschlied]
Musik und Text: Herms Niel
Blasorchester Bruno Seidler-Winkler | Gesang: Heyn-Quartett
Berlin, 1939

Es ist so schön, Soldat zu sein, Rosemarie [Marschlied]
Musik und Text: Herms Niel
Blasorchester Bruno Seidler-Winkler | Gesang: Heyn-Quartett
Berlin, 1939



This is definitely one of the best Seidler-Winkler's records I've listened to. Both songs were performed in an excellent manner, with lots of "Tschingderassa-Bummderassa" :wink:

This version of Erika ends with an fascinating instrumental, probably the best recorded in III Reich period -for this song. The very same ending will be repeated again, after the war, in the same style (with constant synchronized bass drum & cymbals accompaniment) by Heinz Winkel (1914-1962) and his band of Schutzpolizei Berlin, who, in my opinion, recorded The best version of the song. Seidler-Winkler's orchestra recorded 1st and 3rd strophe here.

Es ist so schön, Soldat zu sein, Rosemarie is only a perfect continuation of previous song; it begins in the same style as "Erika" ends. Only first strophe has been sung, which leaves us with more of Seidler-Winkler's instrumentals to enjoy...
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Grammophon E 11371

Postby Ivan Ž. on 04 Dec 2007 16:21

Grammophon-E-11371.jpg


Es blitzen die stählernen Schwingen [Marschlied]
Musik: Herms Niel | Text: Heinrich Anacker
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Soldatenchor
Berlin, 1940

Michel, horch, der Seewind pfeift! [Marschlied]
Musik: Herms Niel | Text: Gottfried Schwab
Reichsmusikzug des Reichsarbeitsdienstes | Dirigent: Obermusikzugführer Herms Niel | Gesang: Soldatenchor
Berlin, 1940



Two excellent songs, recorded for the Luftwaffe and Kriegsmarine units fighting in the North Sea at the time.

Es blitzen die stählernen Schwingen is a song of German flyers fighting against the "Tommies" - in "Boelcke's and von Richthofen's spirit" (German WWI flying aces), as the song says. It has 4 strophes, Niel recorded 1st, 2nd and 4th. This particular version is well-known today (to the "internet-population"), can be found on net as "Jagdfliegerlied", although this title was never (officially) used (at the time, song was mostly related with German bombers).

Michel, horch, der Seewind pfeift (a.k.a. "Flottenlied") is an old North-Sea-song, re-arranged by Herms Niel in 1940 for the new German Navy, fighting again at the same place. Song has 5 strophes, Soldatenchor sung 1st, 3rd and 4th. Unlike previous recording, this one is almost completely unknown today (well, to the "wider audience"); in my opinion, much better than the well-known Arno Kühn's (Musikk. Fliegerhorst-Kdtr. Berlin-Gatow) version, which I also like very much, but, for me, Niel's unique "oompah-oompah" style always holds the first place... :wink: Anyway, perfect recording.

This photo, taken only three weeks before these recordings were made, perfectly illustrates this record:
German bomber (He 111) and warships at the North Sea (04.01.1940)
00658497.jpg
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Telefunken A 1364

Postby HeadHunter131 on 04 Dec 2007 22:05

Here is an interesting record from my collection.

Die Fahne hoch/Märkische Heide played by Großes Blasorchester Carl Woitschach and Choir from Sturm 33 (Hans Maikowski)

I don´t know if this record is rare, but the condition is very good like fresh from the shop.

Do you or anybody know the value of the record?

Telefunken-A-1364.jpg
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Re: Telefunken A 1364

Postby Ivan Ž. on 04 Dec 2007 22:15

Ah, that's an excellent record; here's full info:

Die Fahne hoch
Musik: Trad. | Text: SA-Sturmführer Horst Wessel
Großes Blasorchester | Dirigent: Carl Woitschach | Gesang: Chor des SA-Sturms 33/1 und Mitglieder der SA-Standarte 1
Berlin, 10.04.1933

Märkische Heide [Marsch]
Musik: Paul Lincke | Trio: Gustav Büchsenschütz
Großes Blasorchester | Dirigent: Johannes Fuhsel, Musikzugführer der SA-Gruppe Berlin-Brandenburg | Gesang: SA-Sänger der SA-Berlin
Berlin, 27.03.1933


As you can see, "Märkische Heide" is half-month older than "Horst-Wessel-Lied".

HeadHunter131 wrote:I don´t know if this record is rare, but the condition is very good like fresh from the shop.
Do you or anybody know the value of the record?

If you were thinking of selling it perhaps, contact Dave ("behemoth") here. He might be interested and he would also know its value better than me, since he's dealing mostly with political records, unlike me...

Thanks for posting,
Ivan

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Postby HeadHunter131 on 04 Dec 2007 22:34

Here another nice recording from my collection:

Wenn die Sonne scheint Annemarie(Die Landpartie)
Rosemarie(Rosemarie ich lieb dich gar so sehr)

Both played by Musikkorps der Fliegerhorst-Kommandantur Berlin-Staaken mit Chor.
Leitung: Hasso Bass

Odeon-O-26361.jpg


Here two very famous WW2 songs:

Frankreich-Lied
Gegen Briten und Franzosen

Telefunken-A-10136.jpg


Here the very famous Walzerlied by Herms Niel on Electrola:

Antje, mein blondes Kind (Very nice sung by Wilhelm Strienz!)
Im Feldquartier auf hartem Stein

Electrola-EG-7085.jpg
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